Ken Blount is in his 20th year as a guitar builder,
and has built over 125 instruments in that time. In that period, he has
had pieces purchased by buyers world wide, both players and collectors.
Blount guitars are all hand crafted by Ken. He does not use
'apprentices' or other assistants to construct his instruments. He has
built both traditional and cutaway guitars of all body sizes, wood
combinations, and of varying degrees of cosmetic enhancements such as
inlays.
Ken relies on traditional methods of construction, neck joints on Blount
guitars are all dovetail, (not screw in joints like some of the high
end manufacturers are doing,) nitrocellulose lacquers, (instead of the
less expensive and less labor intensive water-soluble variety,) bone
nuts and saddles, and always the fine attention to detail that is a
hallmark of a Blount guitar.
Ken searches the world for the finest raw materials. Fine wood is
getting increasingly harder to find, so when he can make a purchase, he
stockpiles the best grades of Brazilian and Indian rosewood, Koa, Sitka
and Engleman spruce, mahogany, maple and ebony.
When Ken plans a guitar for an individual buyer, he will ask many
questions to determine the suitability of that guitar to that player. The
style of playing, - how hard or soft the player's touch is, if the guitar
will be used primarily for finger picking, flatpicking or both, - are all factors in determining optimum string spacing, set up, and even
body size and style.
To many players, appearance is important in an instrument. Ken can
incorporate a wide range of cosmetic features on his instruments, from
custom abalone or mother-of-pearl inlays, position makers, bindings. Everything can be exactly how the buyer desires. On the rare occasion
one of Ken's instruments shows back up on the market, it commands high
prices, often more than the original purchase price, at dealers such as
Gruhns.